CODEX Production Suite License for ARRI ALEXA SXT, ALEXA Mini, RED, Sony, Panasonic and Canon

CDX-12001

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CODEX Production Suite License, support for ProRes RAID Capture Drive from ALEXA SXT (requires ARRI RAID driver on OS X – included in 4.1 installer). ARRIRAW MXF to ARRIRAW, Phantom Cine file, debayer algorithm for SONY RAW material. Support for new Codex Thunderbolt 3 Docks

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€ 1.586,00
€ 1.300,00tax excl.

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Codex Production Suite is a fully-featured dailies and archiving system featuring sophisticated tools for colour grading and LUT management, QC, metadata editing and audio sync so you can manage and create all your deliverables within one unified system. Transcode to all the formats you need to deliver, faster than real-time, even with an input LUT, CDL and a 3D LUT.

 

One workflow, no matter what camera.
Most importantly, Codex safeguards your most valuable asset, your digital negative.

Production Suite is available on Mac Pro and MacBook Pro as well as Codex’s own hardware – the XL-Series Vault. Ideal for DITs, it has all the tools needed to produce on-set or near-set dailies.

Codex Production Suite already features a comprehensive toolset including: support for the latest digital cinematography cameras from ARRI, Sony, Panasonic, RED, GoPro, Phantom, Canon; split-screen or A/B playback of camera original material, with correct frame rate, colour space, LUT and CDL values applied; image-scaling and crop tools; metadata checking, fixing and appending; QC tools and customised reporting; fast transcoding to common dailies formats, such as Apple ProRes, Avid DNxHR and H.264; high-quality debayering to DPX and Open EXR for VFX deliverables; and archiving using LTFS to LTO-tape and Codex Media Vault Library via Codex Archive.

 

KEY FEATURES


Non-destructive CDL-based colour grading - create or modify looks and communicate them through to editorial and final colour. CDLs and LUTs can be imported and processed so that externally created “looks” can be applied, either overall or on a shot by shot basis. These “looks” can be baked into the editorial dailies or appended in the metadata information for other deliverables.

Integration with Codex Live for a colour pipeline from camera through to deliverables and beyond.

Add Tangent panels for grading.

Metadata checking, fixing and appending – metadata can then be attached to dailies for increased efficiency in post production.

QC tools – flag any issues, make notes and generate a detailed report, with or without thumbnails.

Audio Sync – import WAV files, playback shots in a proxy window and synchronise the audio files to the shots, based on the timecode.

Full ACES colour pipeline.

Fast but high quality transcoding to common dailies formats, including Apple ProRes, Avid DNxHD and H.264.

High quality debayering to DPX and Open EXR for VFX deliverables.

Archiving using LTFS with full verification to LTO-6 tape with Codex Archive.

 

ONE, UNIFIED CAMERA WORKFLOW
Yes, one workflow no matter what the camera. Perhaps the main unit is shooting with ARRI ALEXA XT but a splinter VFX unit is using a RED DRAGON on a MoVI?

Or a stunt unit is using multiple GoPros, alongside an ALEXA XT?

If you rely on Codex, this common scenario doesn’t cause any headaches. Designed by people who’ve worked in the trenches of modern movie-making, Codex Production Suite works with most of today’s cameras and media so there’s one unified, secure workflow that ties everything together. And to simplify your colour pipeline, Codex supports ACES (Academy Color Encoding Scheme).

 

ARRI RAW and ProRes | Canon RAW and XF AVC | Panasonic V-RAW | RED RAW, ProRes, DNxHD | Sony RAW and XAVC | GoPro H.264 | Phantom RAW

 

CODEX Production Suite License the next evolution of the fully-featured dailies and archiving system featuring sophisticated tools for colour grading and LUT management, QC, metadata editing and audio sync so you can manage and create all your deliverables within one unified system. Transcode to all the formats you need to deliver, faster than real-time, even with an input LUT, CDL and a 3D LUT. This release is a free upgrade for Codex Connect users and continues to support ALEXA SXT users. (use Production Suite 4.1 or above for the latest ALEXA SXT support) 

 

4.6 FEATURES INCLUDE

Support for new Codex Thunderbolt 3 Docks
Support for cross-platform ExFAT RAID-5 filesystem on Transfer Drives
ExFAT RAID-5 Transfer Drive can be used for original camera files, transcoded media, and archiving
Timeline render for dailies
Improved stability and performance of Archive task
4K and UHD H264 profiles
Review supports HDMI output of AJA Io 4K
Review has optimised playback performance for 4K/UHD ProRes files

Please Note  Although Production Suite 4.6.3 supports macOS High Sierra, our recommended version at this time for maximum stability is macOS Sierra.

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CODEX Production Suite License for ARRI ALEXA SXT, ALEXA Mini, RED, Sony, Panasonic and Canon

CODEX Production Suite License for ARRI ALEXA SXT, ALEXA Mini, RED, Sony, Panasonic and Canon

CODEX Production Suite License, support for ProRes RAID Capture Drive from ALEXA SXT (requires ARRI RAID driver on OS X – included in 4.1 installer). ARRIRAW MXF to ARRIRAW, Phantom Cine file, debayer algorithm for SONY RAW material. Support for new Codex Thunderbolt 3 Docks

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