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Avid Technology Pro Tools | Carbon ™ Hybrid Audio Production System + Pro Tools Ultimate and 3 years of software updates included, Artists, Bands, Producers, Engineers, AC Powered / Mac, 8 Mic / Line / Hi-Z Preamp, 4 Headphone, 2 Monitor, 8 Line Out, 32-Bit / 192 kHz AD/DA Conversion, HDX DSP Acceleration, Double-Resolution, Low-Jitter Clock, 16-Channel ADAT I/O
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Avid Pro Tools | Carbon Ethernet Audio Interface with Pro Tools Software
Avid Technology Pro Tools | Carbon ™ Hybrid Audio Production System + Pro Tools Ultimate and 3 years of software updates included, Artists, Bands, Producers, Engineers, AC Powered / Mac, 8 Mic / Line / Hi-Z Preamp, 4 Headphone, 2 Monitor, 8 Line Out, 32-Bit / 192 kHz AD/DA Conversion, HDX DSP Acceleration, Double-Resolution, Low-Jitter Clock, 16-Channel ADAT I/O
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Pro Tools | Carbon lets you get the best out of your performances and record them perfectly, thanks to its high sound quality and efficient integration with Pro Tools. In addition, with HDX DSP acceleration, Carbon allows you to record, edit and mix in a single application without switching between different software and with zero latency.
Audio interface designed for artists, bands and producers. Includes one licence of Pro Tools Ultimate Perpetual
Includes: Pro Tools | Carbon interface, power cable, CAT-6 Ethernet cable, rubber feet to use Carbon on your desk or a rackmount kit, one licence of Pro Tools Standard Subscription or Renewal Perpetual, and over 70 AAX plugins.
It combines input/output quality and DSP accelerators that amplify the computing power of your CPU, creating a hybrid audio production system.
You can build complex mixes while recording with AAX DSP plug-ins in real time with ultra-low latency, all within Pro Tools.
With 25 inputs and 34 outputs, Carbon is capable of recording any type of session - from a single artist to a full band.
Eight transparent preamps, four headphone outputs, 16 ADAT in and out channels provide a variety of possibilities. The Ethernet connection over AVB protocol allows the best quality to be maintained from inputs to outputs.
Overview
Inputs and Outputs
Analogue inputs: 8 balanced XLR/TRS mic/line inputs with variable impedance on inputs 5-8, remotely controllable with Pro Tools; 2 unbalanced, variable impedance jack instrument inputs; 8 balanced line inputs (DB25)
Analogue outputs: 8 balanced line outputs (DB25); 2 balanced jack outputs for monitors
4 stereo jack outputs for headphones
Digital inputs and outputs: ADAT: 16 channels @ 44.1-48 kHz; 8 channels @ 88.2-96 kHz or; 4 channels @ 176.4-192 kHz
Other inputs/outputs: Word clock input/output; Footswitch input
Analogue-to-digital conversion
Microphone Preamps: Dynamic Range: 126 dB (A-weighted); THD+N: -105 dB (0.00056%); Frequency Response: 20 Hz-20 kHz, ±0.1 dB; EIN: -129 dB (A-weighted)
Line inputs: Dynamic range: 125 dB (A-weighted); THD+N: -106 dB (0.0005%); Frequency response: 20 Hz-20 kHz, ±0.1 dB
Line Inputs (True Bypass) : Dynamic Range: 126 dB (A-weighted); THD+N: -113 dB (0.00022%); Frequency Response: 20 Hz-20 kHz, ±0.1 dB
Instrument inputs: Dynamic Range: 126 dB (A-weighted); THD+N: -113 dB (0.0007%); Frequency Response: 20 Hz-20 kHz, ±0.1 dB; D/A conversion
Line outputs: Dynamic range: 120 dB (A-weighted); THD+N: -110 dB (0.0003%); Frequency response: 20 Hz-20 kHz, ±0.1 dB
Monitor outputs: Dynamic range: 120 dB (A-weighted); THD+N: -110 dB (0.0003%); Frequency response: 20 Hz-20 kHz, ±0.1 dB
Headphone outputs: Power: 100 mW into 300 Ohm; 200 mW into 32 Ohm; Dynamic range: 116 dB (A-weighted); THD+N (32 Ohm): -87 dB (0.0045%); THD+N (300 Ohm): -100 dB (0.001%); Frequency response: 20 Hz-20 kHz, ±0.1 dB
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