Atomos SUMO19M 19" HDR Monitor, 1920 x 1080 Touchscreen Display10-Bit FRC Monitor Processing, HDMI 2.0 and 12G-SDI Inputs/Outputs, SDI/HDMI Cross Conversion, 1200 cd/m² Brightness, Import LUTs from Master Caddy Media, HDR Mode with 10-Stop Dynamic Range, High-Bright Mode for REC. 709 Viewing
5 Articolo Articoli
Attenzione: Ultimi articoli in magazzino!
Acquistando questo prodotto puoi raccogliere fino a 243 punti fedeltà. Il tuo carrello totalizzerà 243 punti che possono essere convertiti in un voucher di € 24,30.
With its bright 1200 cd/m² panel and advanced AtomHDR processing, the Atomos SUMO19M 19" HDR Monitor is designed to be instrumental in modern video workflows. On the rear panel, HDMI and SDI inputs can accept UHD and DCI 4K video signals. Depending on your workflow, both SDI and HDMI inputs can be cross converted to one another, allowing the SUMO19M to act as an interface between consumer-grade HDMI and professional SDI equipment.
On set, the SUMO19M can function as a director's or client monitor. LUTs imported from a separately available SSD installed on a Master Caddy (a single Master Caddy is included in the box) to display a look that can be referenced further down the production pipeline to the final output. If HDR is your goal, the AtomHDR processing uses the entire brightness range of the SUMO19M, allowing the entire latitude of log-encoded videos to be displayed without the washed-out colors or clipping that can sometimes be brought about by SDR (Standard-Dynamic-Rage) displays.
During post-production, the SUMO19M can function as a color-accurate studio monitor. Its ability to reproduce a wide color gamut allows you to master your footage for current SDR standards like REC. 709, and HDR standards like HLG and PQ without having to switch displays. Clients can also view the content with a LUT to see a more pleasing image than what flat or log profiles usually provide. While on-set, you may want to take advantage of the 1/4"-20 and 3/8"-16 mounting options provided around the panel, two feet are included for desktop placement in your editing or grading suite.
On the DIT Cart
Get HDR on set in real time with on-the-fly log to HDR and PQ (Perceptual Quantizer)/HLG (Hybrid Log-Gamma) playback, complete with mission-critical monitoring tools such as waveform, focus peaking, false color, and vectorscope on the calibrated screen.
Remap incoming flat-looking log footage to HDR for a more exciting and true-to-life preview of the footage. Compatible LUTs can be brought from Master Caddy media. You can choose to view both log and standard gamma images with or without looks applied, with quick toggling between them for ease of comparison. Images will pop off the bright 1200 cd/m² LCD panel, even in conditions with lots of ambient light.
In the studio, you can leverage the HDR capabilities of the Sumo for accurate monitoring. With a 10-stop dynamic range and 10-bit processing combined with X-Rite calibration, you can be sure that your color-corrected images will translate through the post-production pipeline.
Production-Grade Build Quality
The aluminum alloy chassis houses 10 mounting points around the top, bottom, and side, a rear panel VESA mount, and an included stand for a variety of mounting configurations.
Versatile I/O Options
Seamlessly connect an SDI or HDMI device and convert between HDMI 2.0 and SDI. The SUMO19M accepts up to 4K up to 60 fps, or HD at up to 240 fps over HDMI, or the dual SDI inputs. Additionally, there are dedicated input selection buttons on the user interface to make A/B comparison between sources simple and simultaneous HDMI and SDI output of the corresponding input for routing to other monitors, recorders or switchers.
The SUMO19M's 19" 1920 x 1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps log, PQ, or HLG video feeds from popular cameras, game consoles, or TV manufacturers to resolve 10 stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life, either on the monitor itself or when outputting to larger HDR/REC. 709 displays for on set review. It can also be used with popular editing software programs or grading suites for affordable HDR/SDR editing or grading in the studio.
Daylight-Viewable LCD Screen
The bright 1200 cd/m² display means you can accurately monitor SDR signals, even when outside in full daylight. If additional light control is required, an optional sun hood is available separately.
Like many high-end video and computer monitors, the SUMO19M can be calibrated to compensate for the natural color and brightness drift that monitors exhibit over time. The Sumo's calibration input lets you use X-Rite's separately available i1Display Pro to always ensure accurate HDR and REC. 709 monitoring.
Dual 4-pin XLR inputs for power means that the SUMO19M can automatically switch power sources should one stop providing power. In the field, a separate power bracket can be used to supply the SUMO19M with power from V-mount or Gold mount batteries. When one battery dries up, you can hot swap it for a fresh one without interrupting the shoot.
|Without batteries, media & stand||5.35kg / 11.8lb|
|With stand||5.9kg / 13.0lb|
|Dimensions (W x H x D mm)||504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand)|
|504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)|
|Construction||Aluminium alloy chassis with built in armor protection|
|Mounting Points||1/4-20 screw; 4 x top, 4 x bottom, 2 x side|
|3/8-16 screw; 2 x top, 2 x bottom, 1 x side|
|VESA mount rear|
|Compatible batteries||V-Lock / Anton Bauer via XLR terminal|
|(optional mounting plates available)|
|Input voltage (battery)||14.4V nominal|
|Battery time (based on 7.4V)||Depends on Watt Hours specification of battery used|
|DC In||1 x DC in (12 - 16.8V)|
|Continuous power||Primary-secondary battery system.|
|* Patent pending||Change batteries without losing power|
|Loop batteries continuously|
|Resolution||1920 x 1200|
|Aspect ratio||16:9 native|
|Color Gamut||REC709 HDTV|
|Look up table (LUT) support||3D LUT (.cube format)|
|Anamorphic de-squeeze||2x, 1.5x, 1.33x, Panasonic 8:3|
|Technology||SuperAtom IPS panel (capacitive touch),|
|calibration to Rec.709 with optional calibration unit|
|Supported Log formats||Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,|
|Panasonic Vlog, JVC JLog, Red LogFilm|
|Supported Gamuts||Sony SGamut / SGamut3 / SGamut3.cine|
|Canon Cinema / BT2020 / DCI P3 / DCI P3+|
|Panasonic V Gamut|
|Arri Alexa Wide Gamut|
|Bit depth||10-bit (8+2 FRC)|
|Brightness||1200nit (+/- 10% @ center)|
|HDR input (PQ/HLG)||Yes / Yes|
|HDR output (PQ/HLG)||Yes / Yes|
|Video Input/Loop Out|
|HDMI||1 x HDMI (2.0)|
|SDI||2 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G|
|Signal||Uncompressed true 10-bit or 8-bit 422|
|Video Output (Play Out)|
|HDMI||1 x HDMI (2.0)|
|SDI||1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G|
|Signal||Uncompressed true 10-bit or 8-bit 422|
|(playback file dependent)|
|Supported Loop Out Formats|
|HDMI to HDMI||720p 50/60, 1080i 50/60,|
|SDI to SDI||720p 50/60, 1080i 50/60|
|Video Signal Conversion|
|HDMI to SDI||720p 50/60, 1080i 50/60,|
|SDI to HDMI||720p 50/60, 1080i 50/60,|
|Supported Codecs & Frame Rates (Record & Playback)|
|Raw to ProRes / DNxHR||N/A|
|Video to ProRes / DNxHR||N/A|
|(DNx utilizes a .MOV wrapper)|
|4K UHD downscale for HD monitoring||Yes - Loop-out (Not available in RAW)|
|Audio In/Out (48kHz PCM Audio)|
|HDMI||2 or 8ch 24-bit, camera dependent|
|SDI||12ch 48kHz 24-bit|
|Audio||Line in / Mic in / Headphone out 2ch 48kHz 24-bit|
|Playlist / Genlock / LTC||No / No / No|
|CDNG (Recorded content)||No|
|ProRes (Recorded content)||No|
|DNxHR / DNxHD (recorded content)||No|
|Meta data tagging||No|
|Supported media||2.5 SSD/HDD. Visit atomos.com/drives for list of tested and approved drives|
|Master caddy case||Master Caddy II (included)|
|75mm x 105mm x 12mm|
|Master caddy dock||2.5 SATA to USB 2.0/3.0|
|Supported applications||Supported Applications FCPX/FCP7+ / Media Composer|
|5.0+ / Premiere 5.5+|
|EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /|
|Autodesk Smoke 2015|
|Accessories included||SUMO19M unit, 1x Master Caddy II, 1x BattWing mount- ing bracket with 4x screws,|
|2x Desktop Feet with 4x 1/4 Mounting screws, AC power supply|
|Optional extras||Sunhood, VESA battery adapter plate, Atomos HDMI|
|cable, X-Rite i1DisplayPro calibration|
|Warranty||1 year. Extended to 3 years on product registration|
Non ci sono commenti dei clienti per il momento.
SmallHD 702 Bright da 7 "HDMI / SDI Daylight è un Monitor Full HD LCD con...
SmallHD 702 Lite 7" HDMI On-Camera Monitor, 7" 1200x800 3G-SDI & HDMI...
SmallHD MON-501 Full HD 5-inch LCD On-Camera Field Monitor with HDMI inputs...
Il CAME-TV è un 21.5 "LCD Monitor IPS ideale per la produzione in esterna, il...
Aputure V-Screen VS-2 FineHD is a professional field monitor with a 7-inch...
ikan DH7 7" Full HD HDMI Monitor with 4K Signal Support, 7" 1920x1200 HDMI...
SmartView 4K il primo monitor broadcast Ultra HD modulare a piena risoluzione...
Blackmagic Design SmartView Duo - HDL-SMTVDUO - Doppio schermo LCD da 8...
SmallHD 1703 HDR 17" Production Monitor, 17", 1920x1080 Display HDR Preview,...
Sony PVM-X550, Monitor di visione 4K OLED TRIMASTER EL™ high-end da 55",...
SmallHD 2403 HDR 24" Production Monitor, 24", 1920x1080 DisplayHDR Preview,...
SmallHD 3203 HDR 32" Production Monitor, 32", 1920x1080 DisplayTrue HDR...
SmallHD 702 Bright 7" Full HD On-Camera Monitor Kit, 702 Bright 7"...
Atomos Ninja Inferno 7" 4K HDMI Recording Monitor, 1920 x 1200 Touchscreen...
Il monitor a 31 pollici CG318-4K con la sua risoluzione 4K-DCI si rivolge al...
SmallHD 5" FOCUS Monitor Sony Bundle is the camera-top monitor many shooters...
SmallHD 5" FOCUS Panasonic Bundle is the camera-top monitor many shooters...
SmallHD 5" FOCUS Monitor Canon LP-E8 Bundle is the camera-top monitor many...
Il modello a 24 pollici EV2450-BK con tecnologia del pannello IPS, formato...
SmallHD 1703 P3 Studio, Full HD 17-inch Wide Colour Gamut (P3) Reference...