Garanzia ufficiale Italia
DZOFilm Arles 100mm FF/VV Prime Cine Lens (PL mount, meter), is a high-speed cine lens designed for full-frame and VistaVision cameras. With a T1.4 aperture, it excels in low-light conditions, delivering sharp images, shallow depth of field, and smooth bokeh, perfect for professional filmmakers.
The DZOFILM Arles 100mm T1.4 FF/VV Prime Cine Lens (PL Mount, Meter) is a professional-grade cine lens engineered to provide filmmakers with superior optical performance and creative versatility. Designed for full-frame and VistaVision sensors with a 50mm image circle, this lens is compatible with high-end cameras like the ARRI Alexa 65, RED Monstro, Canon C400, and Sony Venice 2, making it a versatile choice for cinematic productions, from independent films to large-scale projects. Its 100mm focal length offers a 25.96° diagonal field of view, providing a telephoto perspective perfect for intimate portraits, detailed close-ups, and narrative-driven cinematography.
Inspired by the sunlit town of Arles, France, where Vincent van Gogh created his iconic works, the Arles series captures a vibrant interplay of light and shadow, sparking new possibilities for cinematic expression. The fast T1.4 aperture ensures superior low-light performance, allowing filmmakers to shoot in challenging conditions while achieving a stunning shallow depth of field that isolates subjects with precision. A 16-blade iris produces soft, circular bokeh, enhancing the emotional depth of out-of-focus areas. Advanced multi-layer nano-coating with a calibrated blue coating minimizes reflections, reduces stray light, and controls ghosting, delivering high-contrast, vivid imagery with natural color rendering and a color temperature around 5000K. The lens is notably flare-resistant, retaining contrast even with direct light sources, with more pronounced flares at T5.6 for creative effect, as noted in recent reviews.
The optical construction of 13 elements in 8 groups ensures exceptional sharpness, with the 100mm being the sharpest in the Arles series, performing well even at T1.4. It exhibits minimal chromatic aberration, though slight purple fringing may appear in high-contrast conditions when wide open. The micron-level precision manufacturing results in a 1.83kg design, suitable for gimbals, drones, stabilizers, and handheld shooting, such as with DJI Ronin 2 or ARRI Trinity. The 270° focus rotation and 90° iris rotation provide precise manual control, while the 0.8 MOD gear pitch ensures seamless integration with follow-focus systems. Minimal focus breathing keeps transitions smooth, immersing viewers in the narrative.
Featuring a 95mm front diameter and an M86 filter thread, the lens is compatible with standard matte boxes and filters, enhancing creative flexibility. Its robust aluminum and steel construction is dust- and weather-resistant, ensuring durability in diverse environments. The dual imperial/metric focus scale allows quick adaptation to various production needs. Packaged in a protective molded case, the Arles 100mm offers portability and reliability, delivering cinematic excellence with consistent visual aesthetics for professional filmmaking.
Features
Full-Frame and VistaVision Coverage: 50mm image circle supports large-format sensors for high-resolution imagery.
Fast T1.4 Aperture: Superior low-light performance and shallow depth of field for cinematic visuals.
16-Blade Iris: Produces soft, circular bokeh for natural out-of-focus effects.
Advanced Optical Design: 13 elements in 8 groups to minimize aberrations and distortion.
Minimal Focus Breathing: Ensures smooth focus transitions without perspective shifts.
270° Focus Rotation: Precise manual focus control for professional accuracy.
95mm Front Diameter: Compatible with standard matte boxes and M86 filter threads.
Standard 0.8 MOD Gearing: Seamless integration with follow-focus systems and lens motors.
Durable Construction: 1.83kg aluminum and steel build, dust- and weather-resistant.
Dual Focus Scales: Imperial and metric markings for versatile production needs.
Compatibility
All Cine Cameras
ARRI ALEXA 35
ARRI ALEXA 35 Live
ARRI ALEXA Mini LF
ARRI ALEXA SXT
ARRI AMIRA
Blackmagic Design Cinema Camera 6K
Blackmagic Design PYXIS 12K
Blackmagic Design PYXIS 6K
Blackmagic Design URSA Cine 12K
Blackmagic Design URSA Cine 17K
Blackmagic Design URSA Mini 4.6K
Blackmagic Design URSA Mini 4K
Blackmagic Design URSA Mini Pro 12K
Canon EOS C200
Canon EOS C300
Canon EOS C300 Mark II
Canon EOS C500
Canon EOS C700
Canon EOS C700 FF
Canon EOS C700 GS
For.A FT-ONE
Kinefinity MAVO LF MKII
Kinefinity MAVO S35 MKII
Panasonic VariCam 35
Panasonic VariCam 35B
Panasonic VariCam LT
RED DIGITAL CINEMA DSMC2 BRAIN
RED DIGITAL CINEMA DSMC2 BRAIN Monochrome
RED DIGITAL CINEMA RANGER
RED DIGITAL CINEMA V-RAPTOR XL S35
RED DIGITAL CINEMA V-RAPTOR XL VV
RED DIGITAL CINEMA V-RAPTOR XL X VV
RED DIGITAL CINEMA WEAPON
Sony BURANO
Sony BURANO CineAlta Digital Cinema Camera
Sony PMW-F3
Sony PMW-F5
Sony PMW-F55
Sony SRW-9000PL
Sony VENICE 2 6K Digital Motion Picture Camera
Sony VENICE 2 8K Digital Motion Picture Camera
Sony VENICE 2 LIVE Cinematic Production Package
Sony VENICE 4K LIVE BUNDLE
Sony VENICE 6K Digital Motion Picture Camera
Z CAM E2-F6
Z CAM E2-F8
Z CAM E2-S6
In the box
DZOFILM Arles 100mm T1.4 Prime Cine Lens (PL Mount, Meter)
Front Lens Cap
Rear Lens Cap
Lens Support Base
2x Support Rod
Shims Set
Screws Set
Protective Molded Case
Specifications
Focal Length: 100mm
Aperture Range: T1.4–T22
Lens Mount: ARRI PL Mount (interchangeable with EF Mount, sold separately)
Image Circle: 50mm
Front Diameter: 95mm
Filter Thread: M86
Iris Blades: 16
Focus Rotation: 270°
Iris Rotation: 90°
Gear Pitch: 0.8 MOD
Minimum Focus Distance: 0.90m (35.43")
Optical Construction: 13 elements in 8 groups
Field of View (Diagonal): 25.96°
Dimensions (DxL): 95x121mm
Weight: 1.83kg
DZO-SAP100MPL
6970604943079