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RED Digital Cinema V-RAPTOR 8K VV + 6K S35 Cinema Camera - NERO, sensore multiformato (8K VV, 6K S35, 3K S16, formati anamorfici), oltre 17 stop di gamma dinamica, 2 uscite SDI 12G (indipendenti o specchiate) , 1 porta ODU a 5 pin (può essere suddivisa in XLR), 1 antenna WiFi (qualità live streaming e risoluzione aumentate a 1080p). Ore operative: 190 ore - Contenuto : 1x corpo V-RAPTOR ST 8K VV 1x pacchetto adattatore di alimentazione CA DSMC 150 W 1x antenna lunga 1x antenna corta 1x adesivo con logo RED 1x scheda informativa V-RAPTOR (incluse informazioni di registrazione e supporto)
Compact, fast, and full-frame—the limited edition white V-RAPTOR 8K VV Camera is RED DIGITAL CINEMA's impressive introduction to their new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VistaVision, 6K Super35, 4K, 3K Super16, and anamorphic options. This versatility enables you to adapt your format from project to project to suit your choice of a variety of pro cine or still photo lenses. The V-RAPTOR's RF lens mount can be used with numerous lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture. In response to user feedback, RED has added a right-side user interface that brings control to 1st and 2nd ACs right at the camera. Dual 12G-SDI outputs, resolutions including 16-bit REDCODE Raw at significantly higher frame rates, 1080 streaming, 17+ stops of dynamic range, and phase-detection autofocus (PDAF) further boost the V-RAPTOR's suitability for a range of production styles.
Note:
The integrated 2.4" LCD monitor is for camera control only (no preview video).
New Full-Frame Sensor
The new 35.4MP full-frame sensor at the heart of the V-RAPTOR provides 17+ stops of dynamic range that enable it to excel at low-light capture while offering the lowest noise floor of the RED lineup. And while the V-RAPTOR does not employ a global shutter, its rolling shutter with high-speed readout is almost twice as fast as that of the MONSTRO, all but eliminating motion artifacts. This new sensor also enables phase-detection autofocus (PDAF), a boon for single operators grabbing fast-paced or unpredictable action. To accompany the new sensor, a new fixed OLPF (optical low-pass filter) will enable you to capture RED's signature color quality and sensitivity.
Compact Micro-V Batteries
In keeping with the V-RAPTOR's smaller footprint, power is obtained using RED and Core SWX-developed Micro-V mount batteries or RED-approved batteries from Anton Bauer, bebob, FXlion, Hawk-Woods, IDX, and SWIT. Measuring less than 3" wide, the 98Wh RED Micro-V batteries will power the camera for about one hour, with one battery charging in about 2.5 hours and two in 4 hours on the dual charger. Full-size V-mount and Gold-mount adapters will be available as well for users who already have a supply of those batteries or want longer runtimes.
CFexpress Card Capture
Capture to CFexpress 2.0 Type B cards will enable V-RAPTOR users to avail themselves of more widely available media, although currently, only the RED/Angelbird 660GB card is RED approved. This 660GB card will soon be joined by a 1.3TB card version.
Assistant Interface
A right-side LCD screen user interface offers on-camera control to 1st and 2nd ACs or an operator positioned at that side of the camera. Physical buttons eliminate accidental selections that can occur with touchscreens, and the ability to save user pages lets you customize the interface to your liking. The interface also helpfully only displays the resolutions and frame rates available with your chosen format.
Input and Outputs
Dual 12G-SDI ports enable you to output mirror feeds to two displays, or individual feeds with or without focus peaking, timecode, or other displays, or with two different looks. A USB Type-C port outputs up to 1080p video for streaming or other uses.
High-Speed and REDCODE Options
When slow-motion is your thing, the V-RAPTOR delivers with high-speed frame rates options, including 8K 17:9 at 120 fps, 6K S35 at 198 fps, 4K 17:9 at 240 fps, and 2K 2.4:1 up to a blazing 600 fps.
REDCODE Raw options have been simplified with HQ, MQ, and LQ selections equaling the more popular choices available in RED DSMC2 cameras. Because the 8K sensor captures such massive detail, RED recommends trying MQ or even LQ for most uses, with HQ being ideal for F/X work. Data rates range from 180 MB/s in LQ to 360 MB/s in HQ, so you can plan your media needs accordingly.
DSMC3 Form
The DSMC3 form features several improvements over DSMC2 but offers only limited compatibility with DSMC2 accessories. For example, the KOMODO Outrigger handle is compatible, but POGO-connector compatibility is limited to the new V-RAPTOR version components. One update is a larger fan system with two intake valves that provide better thermal heat exchange (TEC), enabling a wide ambient temperature operating range.
DSMC3 Accessories
Separately available, upcoming V-RAPTOR accessories include a dedicated 7.0 TOUCH monitor, a new expander module, a top plate, a top handle with extension, an Arca-Swiss compatible quick release baseplate system, side handgrips, cage-type side accessory arms, and a 5-pin to dual XLR audio adapter.
RED DIGITAL CINEMA V-RAPTOR RF-Mount Specs
Imaging
Lens Mount | Canon RF |
Interchangeable Lens Mount | None |
Lens Communication | Yes |
Sensor Resolution | (8192 x 4320)Effective: 35.4 Megapixel |
Sensor Type | 40.96 x 21.6 mm (Full-Frame) CMOS |
Sensor Windowing | 8K (8192 x 4320) in 2:1 / 2.4:1 / 16:9 / 17:9 When Recording in Raw 8K (8192 x 4320) in 1.25:1 / 1.3:1 / 1.5:1 / 1.6:1 / 1.8:1 / 2:1 When Recording in Raw / Anamorphic 7K (7168 x 3780) in 2:1 / 2.4:1 / 16:9 / 17:9 When Recording in Raw 7K (7168 x 3780) in 1.6:1 / 1.8:1 / 2:1 When Recording in Raw / Anamorphic 6K (6144 x 3240) in 2:1 / 2.4:1 / 16:9 / 17:9 When Recording in Raw 6K (6144 x 3240) in 1.25:1 / 1.3:1 / 1.5:1 When Recording in Raw / Anamorphic 5K (5120 x 2700) in 2:1 / 2.4:1 / 16:9 / 17:9 When Recording in Raw 4K (4096 x 2160) in 2:1 / 2.4:1 / 16:9 / 17:9 When Recording in Raw 3K (3072 x 2160) in 2:1 / 2.4:1 / 16:9 / 17:9 When Recording in Raw 2K (2048 x 1080) in 2:1 / 2.4:1 / 16:9 / 17:9 When Recording in Raw |
Built-In ND Filter | None |
Shutter Type | Rolling Shutter |
Advertised Dynamic Range | 17 Stops |
Internal Recording
Raw Recording | REDCODE RAW: 8192 x 4320 7168 x 3780 6144 x 3240 5120 x 2700 4096 x 2160 3072 x 1620 2048 x 1080 |
Recording Modes | REDCODE HQ: 8192 x 4320p up to 60 fps 6144 x 3240p up to 96 fps 4096 x 2160p up to 240 fps 2048 x 1080p up to 480 fps REDCODE MQ: 8192 x 4320p up to 60 fps 6144 x 3240p up to 160 fps 4096 x 2160p up to 240 fps 2048 x 1080p up to 480 fps REDCODE LQ: 8192 x 4320p up to 120 fps 6144 x 3240p up to 160 fps 4096 x 2160p up to 240 fps 2048 x 1080p up to 480 fps |
Variable Frame Rates | 8K: Up to 120 fps 8K (Windowed): Up to 150 fps 7K: Up to 140 fps 7K (Windowed): Up to 175 fps 6K: Up to 160 fps 6K (Windowed): Up to 200 fps 5K: Up to 192 fps 5K (Windowed): Up to 240 fps DCI 4K: Up to 240 fps DCI 4K (Windowed): Up to 300 fps 3K: Up to 320 fps 3K (Windowed): Up to 400 fps DCI 2K: Up to 480 fps DCI 2K (Windowed): Up to 600 fps |
Gamma Curve | RED IPP2 |
Audio Recording | 2-Channel 24-Bit 48 kHz |
Still Image Support | Not Specified by Manufacturer |
External Recording
IP Streaming | MJPEG: 1920 x 1080 |
Interface
Media/Memory Card Slot | Single Slot: CFexpress Type B (CFast 2.0) |
Video Connectors | 2 x BNC (12G-SDI) Monitor Output |
Audio Connectors | 1 x 5-Pin LEMO Mic/Line Level (+48 V Phantom Power) Input 1 x 1/8" / 3.5 mm Stereo Headphone Output |
Built-In Microphone Type | Mono |
Other I/O | 1 x USB Type-C Data, Control, Video 1 x 9-Pin Data, Control Input/Output |
Wireless Interfaces | 2.4 / 5 GHz Wi-Fi Video Output |
Monitor
Size | 2.4" |
Display Type | Fixed LCD |
EVF
EVF | Optional, Not Included |
Power
Battery Type | Micro V-Mount |
Power Connectors | 1 x 6-Pin LEMO (11 to 17 VDC) Input |
Environmental
Operating Temperature | 32 to 104°F / 0 to 40°C |
Storage Temperature | -4 to 122°F / -20 to 50°C |
Storage Humidity | 0 to 85% |
Physical
Accessory Mount | 28 x 1/4"-20 Female |
Tripod Mounting Thread | 1/4"-20 Female (Bottom) 2 x 3/8"-16 Female (Bottom) |
Material of Construction | Aluminum |
Dimensions | 6.1 x 4.3 x 4.3" / 155.5 x 108 x 108 mm |
Weight | 4 lb / 1.8 kg |
- Utilizzo
- Cinema Digitale
- Risoluzione Video
- 8K
- Dim. Sensore
- Super 35mm
- Supporto di Registrazione
- CFexpress
- Interfacce digitali
- 12G-SDI
- Codec
- RAW
710-0342
Usato
Adattatori di Passo
Adattatori di Passo
Canon Mount Adapter EF-EOS R
Adattatori di Passo
Canon Mount Adapter EF-EOS R 0.71x
Schede di memoria
Angelbird 1320GB AV Pro XT MK2 CFexpress 2.0 Type B Memory Card
Schede di memoria